deadline august 25

Projectvoorstellen e-culture fair 2011 (Call)

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Drastische bezuinigingen in Nederlandse cultuurveld

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Modellen voor licenties en vergoedingen bij digitalisering audiovisueel materiaal (Publication)

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April 20 2011

AZURA: erfgoedbank met nadruk op audiovisueel materiaal (Launch)

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Media Art, We Care (Call)

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July - August 2011

Digital Summer workshops 2011 (Workshop)

Launched in 2005, the Digital Summer Workshops continue for the 7th edition! This year they will be extended by 2 additional modules (Drupal and OpenCV) that complement the other 5 updated courses.

May 8 2011 - July 31 2011

Sven Augustijnen - Spectres (Exhibition)

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Crowdsourcing in the Cultural Heritage Domain (Publication)

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ATHENA booklets (Publication)

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Installation Art, Who Cares? (Film)

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EN 15907 standaard vertaald naar museumsoftware binnen CEST (Update 10)

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Geplande aanpassingen aan het decreet Lokaal Cultuurbeleid en het Cultureel-erfgoeddecreet

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Oproep Digital Strategies for Heritage (DISH) 2011 verlengd (Call)

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Archiefbank Vlaanderen in een nieuw kleurtje en kleedje (Update)

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Publicatie projectresultaten Archipel (Publication)

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POCOS: complexe digitale modellen archiveren (Project)

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July 11 2011 - July 13 2011

COST Strategic Workshop on Safeguard of Cultural Heritage: A Challenge from the Past for the Europe of Tomorrow (Workshop)

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Erfgoed van alledag in Studio Alijn (Update)

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Digital Art Conservation (Project)

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July 6 2011 - July 8 2011

Electronic Visualisation and the Arts – EVA London 2011 (Conference)

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Reader 'Video Vortex II: Moving Images Beyond YouTube' (Publication)

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Haalbaarheidsstudie Vlaamse horizontale metadata aggregator (Publication)

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Inside Installations - Theory and Practice in the Care of Complex Artworks (Publication)

Anything is possible in installation art. The typically short lifespan of the materials and techniques used and the intended experience can be endless, often to the despair of the custodian of the work. What did the artist originally intend and how has that concept been realized in the past? How can one preserve and document the installation? What relation exists between the components and the space, and what is the spectator’s part in the work? Questions of this kind are examined in connection with a number of case studies. At the same time, the book reports on the results of an extensive research project, Inside Installations (2004-2007), carried out by an international group of custodians active in the conservation of contemporary art.

Start project 'Flandrica.be' voor ontwikkeling virtuele Vlaamse erfgoedbibliotheek (Project)

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Collections Trust lanceert de Standards Wiki (Project)

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met de steun van de vlaamse overheid

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